Shakespeare and his Stage by Marchette Chute review by Lynda Waterhouse

I was intending to review one of latest books about the bard ; Michael Rosen’s or Andrew Donkin’s The Weird World of William Shakespeare but my heart kept tugging me back to Marchette Chute’s Shakespeare and his Stage and so Hamlet-like  I changed my mind.

I love Horrible Histories and I know literally hundreds of children who do but my serious inner ten year old child also craved something else.

I had stumbled upon Shakespeare and his stage a few weeks ago in the Amnesty Book shop in Newcastle. My copy had once belonged to Whitley Bay South County Primary School and was the third impression from 1964.

The blurb on the cover of this slim volume sets out its stall; the aim of this lively book is to recreate for the reader the Elizabethan world of the theatre in which Shakespeare lived, and for which he wrote his plays.

The book is written in chapters and reads like a novel. There is only one illustration in the book but the power of Chute’s prose and her ability as a storyteller paints a vivid picture of the theatre and Shakespeare’s life and work.  The book also provides a description of his plays, poems and songs.

‘In that age of great singing voices, Shakespeare’s was the greatest. And even at the close of his career, with its weight of experience and knowledge of evil, he could still write like a young poet who had never known anything but spring.’

Shakespeare and his Stage by Marchette Chute was published by University of London Press 

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MIXED FEELINGS, edited by Miriam Hodgson. Reviewed by Ann Turnbull.

This collection of short stories about mothers and daughters was first published in 1992 and is still just as lively and relevant today, despite the absence of such things as mobile phones and selfies.

The themes are timeless. Ten favourite authors explore those early teenage years when girls grow up quickly, to the alarm of their mothers, and begin to form their own ideas and tug at the constraints of home.

In Anne Fine's opening story, the unnamed narrator begs her mother for a story she's heard many times before: how her mother came to be born. It's a brilliantly funny and involving story that tells much in a few pages, and it touches on the timeless themes that echo throughout the book: birth, first love, independence, finding out who you are and where you came from, and the unbreakable bonds between mothers and daughters.

Here we have rebellious daughters (from the first nudges of independence shown by Berlie Doherty's Jenny to the desperate struggle of Jamila Gavin's Nasreen), unconventional and embarrassing mothers, schoolfriends, boyfriends, people in the workplace. Above all there is the tension between the powerful urge to fly the nest and the pull of home.

The authors are Anne Fine, Berlie Doherty, Vivien Alcock, Jamila Gavin, Marjorie Darke, Gwen Grant, Annie Dalton, Monica Hughes, Jean Ure and Jacqueline Wilson. All great storytellers - and the book is still in print!

Mammoth, 1997.


www.annturnbull.com



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A LOTTIE LIPTON ADVENTURE: THE EGYPTIAN ENCHANTMENT by Dan Metcalf. Reviewed by Saviour Pirotta

Title: A Lottie Lipton Adventure: The Egyptian Enchantment
Author and illustrator: Dan Metcalf
Publisher: A&C Black
Publication date:  11 Feb 2016

9 year old Lottie Lipton is a plucky girl who lives in the British Museum with her Great Uncle Bert, a curator with a passion for ancient history. Lottie is an investigator extraordinaire and the exhibits in the world famous museum provide all sorts of opportunities for sleuthing and derring-do with a magic twist. The Egyptian Enchantment is the third title in a series of four.

When Lottie accidentally reads a spell, she makes a gang of newly delivered ancient Egyptian shabtis come alive. Shabtis were little figures of baked clay that people in ancient Egypt buried with their loved ones to act as servants and slaves in the afterlife. The lot in this story are over the moon at being set free from their bondage and proceed to wreak havoc all over the British Museum. Lottie must use all her skills and ingenuity to capture them and get the situation under control before a delegation of important people arrive for a conference. Will she do it? And will the bumbling Uncle Bert and the hapless janitor Reg help or hinder her?

The 7 year old kids I read this too absolutely loved it, especially the bits about the sniggering shabtis going berserk all over the museum.  Dan Metcalf keeps the language simple, making the story easy to follow and a pleasure to read. There are wonderful characters, some nice plot twists, lots of humour, great line drawings and puzzles to solve too. The last was especially popular with my testers. They had not read any of the other Lottie Lipton adventures before but that didn't hinder the enjoyment of the story. Each book in the series works as a standalone. And they were eager to get their hands on the other three books, which we are going to get from the library.

A winner all round!

www.spirotta.com
@spirotta

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The Art of being Normal by Lisa Williamson

Reviewed by Jackie Marchant

This is a well-written, entertaining read, deserving of its shortlisting/award success.  

It’s about David, who has always known he’s a girl, but has told no one but his two best friends, who are now going out with each other.  He has understanding parents, yet he still can’t bring himself to tell them, let alone the rest of the world.  And, following a cringingly brilliant bullying scene, it’s easy to see why.  Now enter Leo, the new ‘hard’ kid who is rumoured to have been expelled from his tough school for assaulting a teacher.  He is the last person you’d expect to befriend David, let alone be sympathetic  to his plight, but he has a secret of his own that causes the relationship to develop in an unexpected way.

The story is told in alternative points of view and, although the fonts differ accordingly, I did find myself following the wrong character at times.  That’s really the only tiny complaint I’d have in an otherwise extremely engaging book with characters I can believe in and sympathise with.  The plot paces along nicely, leading up to a fitting climax, after which David settles into realising that, despite the title of this book, it’s OK to be normal – in fact, it’s preferable.

There is no doubt that, all these years after I left school, there is still this culture of ‘normal’ and trying to fit in.   But, if this is a true reflection on what it’s like to be a teen in school today, then I can only be encouraged by the scene where the head teacher informs the whole school during assembly one of their pupils has transitioned and there is to be absolutely no bullying in the matter.  That would never have happened in my day and I can only imagine what it must have been like to keep something like this a secret.  So, I was happy to leave this book knowing that, although she has a tough road ahead, Kate (nee David) will be able to be exactly who she is.

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THE GIRL IN THE BLUE COAT by MONICA HESSE, reviewed by Pauline Francis

It was the prologue that made me decide to review this recently published novel. 

It begins: “A long time before Bas died, we had a pretend argument about whose fault it was that he’d fallen in love with me.”

 

The story opens in occupied Holland in 1943, in Amsterdam. Clever, because I immediately think of Anne Frank and that steep, claustrophobic climb to her hidden attic. So I fear for Hanneke, the protagonist, Hanneke is a finder. She used to find coffee and chocolate. Now she finds and sells extra potatoes and meat to the wealthy people of Amsterdam. One day, she’s asked to find a person.

‘‘The missing girl is Jewish,’ Mrs Janssen says. ‘ I want you to find her before the Nazis do.’

Hanneke can’t refuse because of her own grief about Bas, who died as the Germans invaded.  

Now I’m ready to read non-stop. ‘Why and how did Bas die? Who is this Jewish girl called Mirjam, who was wearing a blue coat when last seen? And how on earth will Hanneke find her in an occupied city, before she can be transported to a concentration camp - even if she wants to? The tension is heightened by the fact that that almost three quarters of the Jewish population of Holland died during the war, so I know that Mirjam’s chances of survival are slim.

There are ghosts everywhere in Hanneke’s quest: Bas’s ghost as his older, serious and less engaging brother, Ollie, helps Hanneke; the ghosts of the already transported Jews; the ghost of a once happy city. The rare flashbacks with Bas are sensitive and tense – the first time I saw Bas; the last time I saw Bas etc.

Then just as I’m settling into the quest (which is condensed into a few days), Hesse presents me with another one. Half-way through the novel, Hanneke says: ‘I’m to blame for Bas’s death. I only got him killed.’ I’m on full alert as I race to the end.

There are so many layers to this book: history, mystery, war, duty, danger, pretending in order to stay safe, morality in war. Ollie is a member of the resistance, but when he questions helping Mirjam. Hanneke quickly asks: ‘Ollie, if the good you’re working so hard for is one that won’t work to rescue a fifteen-year old girl, then is it worth it anyway?’

There are as many twists and turns as the old city centre, but Hesse never leaves her reader behind. The Girl in the Blue Coat a sensitive and tender book that leaves nothing untold about what it’s like to be on the run in an occupied city. Hesse herself calls it “ the story of small betrayals in the middle of a big war.”

The best advice I can give you before you read this book is Hanneke’s own thought on page 299: “Nothing in this war is what it seems.”

Pauline Francis www.paulinefrancis.co.uk

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THE HOUSE OF EYES by Patricia Elliott .....reviewed by Adèle Geras

Once again, full disclosure. When I review a book, I often have to confess to knowing the writer. In this case, it's even worse. I first met Patricia when she was a student on a Ty Newydd writing course which I taught jointly with the much-missed Jan Mark. Even back then, and it was a long time ago, Patricia was obviously going to be a successful writer and since then, she has gone on to produce many wonderful books,  my favourites of which are MURKMERE and  THE DEVIL IN THE CORNER.

In HOUSE OF EYES, the intended audience is younger. It's what the Americans call Middle Grade. Any good reader of about eight and up would love it and there are not enough books being written for this age group.  Because I'm passionate about introducing younger readers to historical fiction and because I'm convinced that reading historical fiction at an early age can have nothing but good effects, I'm happy  to be able to welcome Connie Carew, our intrepid heroine, who will, if the promise of the title is fulfilled, be having lots of mysterious adventures in the future. This is reassuring. If there's one thing that avid young readers like, it's the idea that the books they enjoy are part of a series of stories which isn't going to run out any time soon. 

This first story is enjoyable from beginning to end. We start with a plan of the house in Alfred Place West, where Connie lives with her aunts Dorothea and Sylvie and her horrible step-uncle, Harold Thurston. Connie wants to be an archaeologist and is forever trying to visit the British Museum. Her horrible step-uncle is Up to No Good...we suspect  this almost from the beginning,  but it takes Connie some time to reveal the depths of his nastiness, in a climax which is most satisfying and exciting.

There's a tragedy in the background here. Ida, Dorothea's daughter,  disappeared when she was very small and is assumed to be dead. Dorothea is bereft and the story begins when she visits a medium in order to get in touch with her dead daughter. Shortly after that, a young woman called Ida turns up looking for a housemaid's job at Alfred Place West....is she the real Ida, miraculously restored, or is she an imposter, after the fortune that awaits her?

 There is romance here, and excitement and even though the story is for younger readers, Elliott doesn't gloss over the nastier side of Victorian exploitation of the bereaved. The whole world of mediums and charlatans is very well evoked. All the characters who interest us are brought vividly to life, especially the aunts and nasty uncle Harold with his creaky whalebone corsets. 

Elliott writes so well that it's hard to pick out any passage to quote. She has a light touch and there's humour everywhere in this book. Here she describes Connie's  rather sceptical reaction the séance:
"Aunt Sylvie  was sitting up half the night to watch for a ghostly girl to float in through her bedroom door. But to Connie the girl had seemed very much alive, despite her strangely luminous frock." That 'despite' is a period touch  of the lightest possible kind.

Connie's piano teacher, Arthur, is described thus: "He had long thin fingers and the rest of him was long and thin as well......his ankles and wrists protruded, knobbly but elegant." Arthur is visible to every reader and we love him, because of that subtly-placed "elegant" and which contrasts humorously with  "knobbly." It's very high quality writing indeed and it pervades the whole book.

I hope this novel reaches the audience it deserves. It's funny, exciting, well-written and has a proper plot and structure.....not something you can depend on finding in a book,  but which is immensely satisfying whenever you find it. This is a delightful book  which I enjoyed enormously.   Do try it!


Published by Hodder Children's Books in paperback.
ISBN: 9781444924695
£6.99

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Don't Call Me Choochie Pooh! by Sean Taylor and Kate Hindley, reviewed by Pippa Goodhart

This is a delight of a book.  A small dog in a big pink bow is fed-up with being called Choochie Pooh or Ickle Pickle Woof Woof or Incy Wincy Cupcake, and being carried about in a handbag.  After all, she's 'an ordinary, proper dog'.  It's so embarrassing to be seen being kissed and called those silly names!  But the other dogs, 'barking, getting muddy and doing proper dog things' let Choochie Pooh join in.  It's all going so well ...



... until her owner calls for her, "Off we go Oopsie Boopsie Choochie Pooh!"  How will the other dogs react?  After all, they'd never get called such silly names ... would they?


The glory of the story is the essential truth in it that any child will recognise; the embarrassment that a parent/owner can be, but also the fact that we've all got to suffer them!  And the pictures by Kate Hindley are full of action, beauty and comedy.  Highly recommended for children ... and for 62 year old husbands.  Mine loved this as a Valentine's present.  And, no, I don't call him Choochie Pooh!

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